This series speaks about how we interact with images today by referencing features found in the disconnected snapshots and video clips that surround our lives. I reference the pixilation, motion blur, repetition, distortion, and ambiguity inherent in the images we come across daily by using the medium of paint on canvas. I’m very interested in the power of photography to capture the psychological state of an individual and the way visual cues can suggest a sense of place and mood. By combining realistic painting techniques with distortions in space, surface and style, I’m questioning the viewer’s perception of the basic components of representation.